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	<title>Comments for John T. Smieska III</title>
	<link>http://johnsmieska.com</link>
	<description>Regent Dauphin of the Glorious Empire of Bohemia, Kingdom of Grandeur</description>
	<pubDate>Mon, 06 Sep 2010 03:20:46 +0000</pubDate>
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		<title>Comment on Self-addressed postcard (from before all or any of this) by Sanyo Hospitopah</title>
		<link>http://johnsmieska.com/?p=3#comment-3</link>
		<author>Sanyo Hospitopah</author>
		<pubDate>Fri, 18 May 2007 14:34:44 +0000</pubDate>
		<guid>http://johnsmieska.com/?p=3#comment-3</guid>
					<description>A turd in the swimming pool
A contrast in the expectation
A yearning to fuse unveiled
Psyche and Eros whittled by the centuries
Disconnect their transference
And veil again in mourning

Somehow this is still floating
Jerusalem spills out in roads
To confess his lyric untouchable
The dawn of his heart is a criminal tomb
Scalded by laws of backdrops
Questing on threads of original myth.

And she may as well be cruel,
And she may as well be liquid,
With her unity homologous ly
Massacred by weights and leanings,
She imitates the shouldering indebtedness
She seeks
To obliterate the counterfeit divine.
Because imaginary drownings are the uterus
Of coughing
She obliterates the splice of fascination.

And what is that connection
Between an atom and its purgatory
That clips the padlocks from our panic?
To plow the prohibition
To be given and received
Must we insert the focus of our charms
Into the rippled orbits of our murder?

An abomination rests inside a
Calculated tenderness, but rests.
The mingling borders may not last
For anything but dying on the threshold
Of a punishment and merging into legend,
But a straight ascent is launched
And arches into legend's cradle, nonetheless
Emerging from the cross-contamination
Victorious against monotony and suicide
An abomination rests inside a
Calculated tenderness, but rests. 

-John Smieska</description>
		<content:encoded><![CDATA[<p>A turd in the swimming pool<br />
A contrast in the expectation<br />
A yearning to fuse unveiled<br />
Psyche and Eros whittled by the centuries<br />
Disconnect their transference<br />
And veil again in mourning</p>
<p>Somehow this is still floating<br />
Jerusalem spills out in roads<br />
To confess his lyric untouchable<br />
The dawn of his heart is a criminal tomb<br />
Scalded by laws of backdrops<br />
Questing on threads of original myth.</p>
<p>And she may as well be cruel,<br />
And she may as well be liquid,<br />
With her unity homologous ly<br />
Massacred by weights and leanings,<br />
She imitates the shouldering indebtedness<br />
She seeks<br />
To obliterate the counterfeit divine.<br />
Because imaginary drownings are the uterus<br />
Of coughing<br />
She obliterates the splice of fascination.</p>
<p>And what is that connection<br />
Between an atom and its purgatory<br />
That clips the padlocks from our panic?<br />
To plow the prohibition<br />
To be given and received<br />
Must we insert the focus of our charms<br />
Into the rippled orbits of our murder?</p>
<p>An abomination rests inside a<br />
Calculated tenderness, but rests.<br />
The mingling borders may not last<br />
For anything but dying on the threshold<br />
Of a punishment and merging into legend,<br />
But a straight ascent is launched<br />
And arches into legend&#8217;s cradle, nonetheless<br />
Emerging from the cross-contamination<br />
Victorious against monotony and suicide<br />
An abomination rests inside a<br />
Calculated tenderness, but rests. </p>
<p>-John Smieska</p>
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